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COLLAPSE Film Stills and NOTES on the Absurdist Film Festival 2014

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Collapse productions have been shooting a series of new work and sent in a few stills to share. These “anti-comedy sketch shorts” will be featured in the upcoming Absurdist Film Festival (#2) slated to premiere in late October of 2014 and will feature artists on this site as well as a slew of recent works from newly discovered video artists who all create in the absurdist vein.

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More on the festival to come, as well as news on some upcoming absurdist documentaries and films both currently in production and soon to be released.

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“Eat Your Vegetables” A short story by Kelly Broich

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JOEY

Eat Your Vegetables

Joey heard Charles climb the creaky stairs, the opening of the bolted door and saw his daddy enter his room palming a head of wet lettuce. Charles was dressed in tan Dockers and a yellow golf shirt that read CromNet across his left breast. His blond hair was neatly trimmed and his face clean-shaven.

“You are going to eat this,” Charles said holding up the head of lettuce.

“I don’t like lettuce,” Joey replied.

“Get in your goddamned highchair!”

Scared, Joey scrambled off his red racecar bed and squeezed himself into the metal highchair.

“I work goddamn hard at the Internet company to get food to feed you and goddamn if you’re not going to eat your vegetables.”

Charles had removed Joey from school a year ago when he was thirteen. Thirteen was the age a student was legally allowed to halt their studies.

Joey had said it a million times before and he said it again now:

“If Mommy was here she wouldn’t make me eat my vegetables and if she was here, I probably would.”

Charles lifted an inquisitive brow. “Has mommy been trying to send you telepathic messages from heaven again? Did you rip the tinfoil?”

“Yes, and she said I didn’t have to eat my vegetables, but I didn’t rip the tinfoil.”

“I call bullshit, Joey,” Charles said, inspecting the floor-to-ceiling tinfoil. “Because I know for a fact that tinfoil keeps out all telepathic transmissions and I don’t see any holes or tears.”

Joey, wearing his silk pajamas with white trim, stared at Charles from his highchair with pert lips, his blue eyes offering nothing.

“You have an I.Q. of 80. You’re practically a retard staring at me with your dumb eyes. You know that?”

“Yes. I know, Daddy.”

Charles walked over and told Joey to open his mouth. Joey tightened his lips. Charles squished his mouth open and pressed the head of lettuce against it.

“Bite. I work hard at the Internet company to buy this food and I want you to eat your goddamned vegetables. Now take a bite. If you don’t, you’re going to die, Joey. You’re going to die of malnutrition.”

Joey batted the head of lettuce away. It came to rest near an empty glass container of chocolate milk next to his racecar bed.

“I need to go poopie,” Joey said.

Charles sighed. “Fine. Take your poopie and then you’re eating the lettuce.”

“Okay, Daddy,” Joey said.

Joey hopped off his highchair and entered his tiny bathroom. Charles had taken off the lock, but Joey shut the door, lowered his bottoms and sat down on a white urine-stained toilet.

He grunted and squeezed and heard a plop. He got up and looked at a nearly perfectly round ball of poop with a small crevice. Joey wished more would come. His stomach hurt, but he was glad to get some out. He had awful gas and pangs of constipation.

He flushed the toilet without wiping and opened the door.

“Did you wash your hands?” Charles asked.

“I forgot, Dad.”

“Goddamnit.” Charles grabbed him by the nap of his neck, twisted on the water, rubbed blue soap over his hands and put them under the stream and then toweled them off.

“You’re bad, Joey. Nothing but a tack in my ass. A dozen tacks in my ass.”

“I don’t mean to be tacks in your ass, Daddy.”

“Well, you are. Same routine every day.”

“Yesterday it was radishes and I had gone poopie earlier.”

“It doesn’t matter the type of vegetable, Joey. You won’t eat them is the point.”

It was true, he wouldn’t eat his vegetables and his daddy had kept him locked in his room as punishment until he would. After mommy died and the fat cops had taken the neighbor away, Joey couldn’t eat his vegetables. He once loved them, because his mommy had a garden teeming with all sorts of vegetables, and she loved them. Her garden was her passion and he associated eating vegetables with his love for his mommy. However, when the neighbor man ‘violated her love flower and put her to sleep in the garden’ as daddy put it, he couldn’t eat them. Never would he eat them. Vegetables equaled emotional pain.

“I will never eat my vegetables, Daddy.” Joey said with finality.

Charles eyes shrunk into a glare and he angrily chewed his bottom lip. He then lifted Joey off his feet and tossed him on the racecar bed. He quickly grabbed the head of lettuce, squeezed open Joey’s mouth, and twisted the ball of lettuce side to side. Joey’s face turned red as he began to wheeze and choke. Daddy then punched his left leg. Daddy had yelled every day and tried force feeding Joey, but this was the first time he had struck him. Joey reached back and tore away a section of tin foil which did nothing but enrage his father further.

“I told you never to mess with the tinfoil. Never!” He grated the head of lettuce deeper into his mouth and jabbed his ribs repeatedly. Joey finally slapped the lettuce away. He spit out remnants, regained his breath and said Mommy had just telepathically communicated that he didn’t have to eat his vegetables ever. Even though it had never been fully explained to him, Joey understood that telepathic communication were messages silently spoken from mind to mind. His daddy had always believed in some strange things Mommy used to tell him. It was harmless she had said. Silly distractions to keep him not so bitter about his underpaid and undervalued job at CromNet — the Internet company.

“Mommy also said you should let me leave my room.”

Charles stood up, hands on his hips and stared at Joey with fire. Joey was going to do more than leave his room, Charles thought. This had gone on nearly two months and this day, it would end. He no longer cared if Joey was only thirteen and it was his parental obligation to keep him until eighteen. He grabbed Joey’s ankles and pulled him from the bedroom, down the carpeted stairs, through the living room and down the concrete steps outside the house and into the yard.

Joey stood up, felt the back of his head and saw blood on his fingers.

“That hurt, Daddy!”

“You are no longer my son. Go!”

“But I don’t have any shoes.”

Without sitting, Charles pulled off his leather shoes and threw them at Joey who sat down on the grass in front of their two-story brick house and put them on. They were many sizes too big.

“You just go now,” Charles said.

Joey stood and shrugged. “Okay, Daddy. Can I keep in touch with you telepathically?”

“You can try whatever you want, but I’m going to tinfoil the entire house.”

“What happens if you’re at work?” Joey asked. “The Internet company won’t let you tinfoil your office.”

“You’re a smartass. The worst smartass I ever knew. Get off my property!”

“Okay. Bye, Dad,” Joey said.

Joey turned and walked away. He would walk the many miles to the river and swim in his underwear, he thought. Swimming was something he and his mommy once liked to do when he was much littler and she was alive; however, he promised himself as he walked down a sidewalk in his over-sized leather shoes, he would never eat another vegetable never, ever even if it meant he became malnourished and died.

Kelly Broich is the author of the novel PRECIOUS.  He is also the author of the video below.

Facebook link.

Various Video Art – Febuary 2013

ELI E / KELLY B . “Moonscape of Failed Hope Finds a Yesteryear of Good Fortune”
Continued from their recent sessions.




TYKYLEVITS. “Se hänelle kertokaa”




BUZZ COASTIN. “SEE THE MAN AT TURD & PUNCH BOWL”
a video mix mashter of current event reality sewn together with commentary and mirrored with b-movie fictionality.




ANDY HECK BOYD “HELL HOLE (2013)”
a video art piece comprised completely of animated internet GIF’s, backed by random audio from television and cinema.

Eli E. and Kelly B. – Improvisation Collaborations 2012

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Recently a collaboration took place between two Absurdist Video Artists, Kelly Broich the ringleader of COLLLAPSE productions, and Eli Elliott who’s been traveling around via greyhound bus . He recently made his second visit to Collapse Studios in Boise, Idaho. The last time, a few years ago, a number of shorts were shot, and a feature film was rumored to have been completed (yet never released).

This time around a series of improvisational pieces were performed, filmed and edited.
The “Eli E and Kelly B Sessions” proved to maintain, if not improve upon, the oddity, absurdity, and bizarro visual imagery of their cinematic collaboration history.

Here are the completed sessions:

“You Can’t But We Can” is a sequel of sorts to an earlier performance between Eli E and Kelly B called INCHWORM . This time around “the band” expands a bit while the sounds improve.

Kelly B brings back his character JIMMY for this brief trigger piece. Eli plays Jimmy’s pink colored seizure.

The two turn to brutally subjecting the viewer with an 11 minute aurora of audio “sound healing”. Theta Brain Wave Therapy.

Kelly B. performs a shop-vac solo:

Apparently, Eli E. underwent a “screen test” for an upcoming production slated for 2013.

Some avant garde penis enlargement commercials were also filmed, but were quickly banned from YouTube and 5 other video sharing websites.

PRECIOUS – A Novel by Collapse’s Kelly Broich

Kelly Broich is mainly known for being the front man for COLLAPSE, the video art/filmmaking/ex-theater group out of Boise, Idaho. But with a new release this week, he unveils another side not involving cameras or actors. Apparently, in between productions, Broich has been laboring away at a literary work of satire. A novel called PRECIOUS.

 I say laboring because PRECIOUS is a book which after reading had me wondering if novel writing will be more of a full-time devotion for Broich. It’s a very well-written book. And if you didn’t know his other side you’d think his main craft was novel writing, rather than, directing, scriptwriting and performing in an avant-garde production company.

 PRECIOUS starts somewhere in suburban America, with a classic suburbanite heavyset woman, a widow named DORIS, who just lost her cat. Tension mounts as Precious the cat fails to surface after the usual calling out and waiting time is employed. Then a grisly discovery is made.

 Soon after, we are introduced to CALEB, Doris’s 42 year old live at home son, who works as an equipment manager for the local minor league hockey team. Caleb learns of his “sisters” fate, and is stung to the core at the loss for many of the usual reasons one loses a pet, but mainly for another reason: a fantasy-based, bordering on perverted, reason, which reveals the Caleb character more fully.

 The loss of Precious requires drastic action to be taken. For reasons of closure and for reasons of revenge. Also, for reasons of a newfound cable television based religion.

 From here the novel sends you on an absurdist fictional journey, which is based on very realistic ingrained human beliefs. The unimagined consequences spiral into a bizarre and chilling climax. An excellent last chapter wraps the story up, and you’re left with a slew of satirical yet true to life issues for the mind to gnaw on over the coming days.

 PRECIOUS is both an American novel and a human novel.

 Broich manages to cover a fair chunk of classic Americana in very short time. Suburbia, sports addiction, American huckster religion, mindless consumerism, and classic overbearing parenting, are all succinctly tackled to impressive depth. They are also dealt with in a unique descriptive and often hilarious style. Caleb’s absurd athletic failings are that which you wouldn’t think. Instead of relying on beauty, Broich goes with chubby. Sex is handled in a rare way; the way it actually is in real life, simple and sloppy.

 The human aspect of the novel centers on a few different themes, one of which is the relationship we have with nature.

 PRECIOUS puts into play the idea of how humans create parameters as to what they accept as worthy animals, to be cuddled and “owned”, and unworthy animals to be shun, and even exterminated. Yet both belong to the same club, with the same instincts; yet exist within these different parameters based on the living situation which humans have established.

 It’s this mix of going from sanitized suburbia, directly into the complexities of  nature, that really make Precious a strong, solid read, with deeper issues to explore.  Intertwining these two in such a seamless satirical manner, had me questioning the absurdity of our living situation and the boundaries that we pretend exist, but in reality are invisible. Caleb physically crosses those boundaries as he takes a few steps out of a manufactured neighborhood and enters into “nature”. And then he invades nature. All because the reverse had happened, and humans believe that somehow both sides should be able to see and respect these imaginary boundaries which they created, which of course is illogical thinking.

 Perhaps it is Caleb’s simpleton nature which summons up a natural sense of overwhelming guilt for realizing he fell for the lie. While ingrained in the life of a sugar eating, living with mommy adult, he hasn’t had the commitments that most adults have had, thus he never developed a sense of ownership into a way of life which rationalizes the above boundaries. There is still some natural animalistic instinct in Caleb, to which he connects with. As we see unfold in the pages of PRECIOUS, this connection with the animal can be a redeeming and reassuring positive. But mixed with the human ego, it can also be a devastating and diabolical negative.

 The theme of the imaginary boundary is satirized in different situations throughout the novel. The idea of  crossing over to the other side and being accepted, the divide of deceased father and the still trying to please son, the boundary crossing of calling your mom a cunt; all explored in gut hilarious fashion. 

 PRECIOUS will have you connecting with the characters, laughing at their situations, and questioning the motives behind the bizarre human connectivity we have with nature and with our own manufactured reality.

author Kelly Broich

PRECIOUS is now available on Amazon. Get it here.

 

UPDATES on A B S U R D I S T S (part 1) : COLLAPSE / TOPARTZER / ELLIOTT

Here are some updates for some of our video artists:

COLLAPSE / (AMERICAN FILMS)

This outfit has, oddly, been dead quiet lately with no new work having been sent in or posted anywhere online.

But it looks as if that’s going to change, very soon.

Stills are now surfacing from a recent short which are part of a series of works dealing with women, and blood. These will be the first in a number of short experimental absurdist works which are to be filmed and edited throughout the summer, and there’s hints of a feature film for the fall.

Apparently these will be a major departure from the satirical, corporate-political angle Collapse has penetrated forth in the past. Perhaps recognizing the limits of satire in an already over saturated doomed to likely fail situation, the guys, and new crew of gals, have risen above with a fresh focus on art for arts sake. From here on out it looks as if the gloves are off and now it’s all about fucking shit up for the sake of creative fun; adding COLOR to Collapse, rather than whimpering over the same old song and dance.

(Coincidentally, well known peak oil and Collapse activist and author Michael Ruppert, recently hung up his own doom/gloom pursuits, coming to similar conclusions, and opting for more art and spiritual based outlets.)

MATTHEW TOPARTZER

We got a release copy months back, and now CELWERY is available on Amazon for download or purchase, at least for now. Go HERE.

As he states in the description, CELWERY is an unfinished film, and likely more of an installation work better suited for screening in a multimedia fashion. Matt writes:

i’m still gonna do a multimedia film. it’ll probably be done in powerpoint and ported into the flash media format. and i’m gonna continue on divergent paths regarding both linear and non-linear film production.

So the amazon release is likely temporary, and will be taken down soon, as CELWERY will get reworked into something larger. He’s amassed a lot of other footage as well, and there are also 2 more potential films from Topartzer coming this year. Likely we’ll have one completed film this summer to share.

In the meantime we’ve learned Matt’s a prolific author and also heavy into experimental music. Here are links for his books as well as music downloads:

SCHIZOPHRENIA AND PRIMITIVE PSYCHOLOGY

THE SILENCE of THE DEMOCRATIC IMAGINATION

FANTASY, FYOO CHER ISM

HOT POT AND UNDYING IMAGINARY FLOWER

MUSIC:

http://soundcloud.com/visualgrandma

http://soundcloud.com/luckychickenaudio

http://luckychickenaudio.com/

ELI ELLIOTT

Things are beginning to emerge as well for Eli Elliott, and it appears his latest location has him in a position to get a bit more messy with “textural” based vid works; little dialogue or speaking and instead more visual, and physical, exploring. He has at least a half dozen pieces set to film, and has already warmed up with a jar of petroleum jelly.

If he can harness himself away from his riding in circle routine (see video piece below) there is a longer work he says he’d like to shoot based around one of the weirdest states of the nation currently. Besides the recent real life Zombie attack, the state offers a regular mix of oddity and stagnant nature which resonates perfect with the Absurdity of the times.